Darius Jones

Darius Jones © Ebru Yildiz

Darius Jones (* Norfolk, USA) is an alto saxophon player, composer and teacher. He lives in Brooklyn, NY. As a composer and musician he works in the fields of electroacoustic, experimental, chamber and jazz music, as well as in modern dance and multimedia contexts. As a critically acclaimed saxophonist and composer, he has a distinctive voice embracing individuality and innovation in the tradition of Black Music.

He wants to convey a welcoming component in his music. He recently offered the audience open rehearsals in the run-up to a concert at the artist-run centre Western Front in Vancouver in order to make the creation process of his music comprehensible.

How can one address what it means to be a musician while simultaneously approaching music as artistic work, he asked himself during the production of his latest album “fLuXkit (i̶t̶s̶ suite but sacred)”, released on Northern Spy and We Jazz Records, which was created after researching about the city of Vancouver, the institution Western Front and the history of Fluxus.

“I think sometimes people have the perception that composition is function-based; that composition itself is not art but merely a functional thing. One of the things I thought about when we were making the animated score was that we should make sure to use the composition that has the most graphics and non-traditional notation because I wanted the person engaging with the work to have an artistic visual experience as well as a listening experience. I feel like Fluxus combined those two experiences, in such an amazing way, so many times.”

The cover was designed by Stan Douglas, who has also repeatedly made music the subject of his videos for decades now.

In October 2023, Jones presented his latest composition “Samesoul Maker” at the Roulette in New York, which follows his 2014 composition “Oversoul Manual” and delves into Jones’ Afrofuturistic Sci-Fi world and its alien birth rituals.

Jones was the winner of the 2019 Downbeat Annual Critics Poll as Rising Star Alto Saxophone and a finalist in the 2022 JJA Jazz Awards as Alto Saxophonist of the Year. In the same year, Jones was artist in residence and curator of the MATA Festival, where he premiered “Coloured School No. 3”.

Darius Jones was an adjunct professor of new music improvisation at the New York University, and taught saxophone and improvisation at the Columbia University in 2017. Jones currently teaches at the College of Performing Arts and Contemporary Music at the New School, New York.

Jones has collaborated with Gerald Cleaver, Oliver Lake, William Parker, Andrew Cyrille, Craig Taborn, Wet Ink Ensemble, Jason Moran, Trevor Dunn, Dave Burrell, Eric Revis, Matthew Shipp, Marshall Allen, Nasheet Waits, Branford Marsalis, Travis Laplante, Fay Victor, Cooper-Moore, Matana Roberts, Kris Davis, Shahzad Ismaily, Nicole Mitchell, Georgia Ann Muldrow, International Contemporary Ensemble and others.

Ganavya Doraiswamy

Ganavya Doraiswamy (* New York, USA) lives and works in London. She has been called “one of the most compelling vocalists in modern music” (Wall Street Journal). She is a transdisciplinary scientist, singer, word artist and multi-instrumentalist. Born in New York and raised in Tamil Nadu, she holds degrees from Berklee College of Music in Boston, the University of California in Los Angeles, and Harvard University, Cambridge.

Heiner Goebbels

Heiner Goebbels (* Neustadt an der Weinstraße, Germany) is a musician, composer and theatre maker. He lives in Frankfurt am Main and Berlin. Goebbels is one of the most important representatives of the contemporary music and theatre scene. His compositions for ensembles and large orchestras are performed all over the world, as are his music theatre and scenic concerts.Goebbels has also created a large number of sound and video installations for the Documenta in Kassel, the Centre Pompidou in Paris and the Museo Reina Sofia in Madrid.

Julia Úlehla

Julia Úlehla (* Knoxville, USA) is a transdisciplinary performer, singer, improviser and scientist living on the Musqueam territories, a Canadian First Nation region around Vancouver. “Julia Úlehla´s artistic practice is also a type of resistance, resistance against forgetting, resistance to the museumization of traditions, but also resistance to the appropriation of folk rituals and songs for nationalist purposes. ‘I sometimes get really tired of the baggage of nationalist folk song’, Julia elaborates.”